Fountain of Meaning is a new sonic fiction from sound artist J.G. Biberkopf following last year’s Ecologies II: Ecosystems of Excess released on Knives. Emerging out of a situation of overflow, the record burrows deeper into his practice of palpable audio theater with a study of object and relations across space-time specific sounds.
The Fountain as a theme reflects a spouting and spilling of information, an erotic gushing of imagined aural history. “The Fountain was the source of water in the public space in cities,” J.G. Biberkopf explains. “Now it’s pretty much a sexualised architectural gesture of both beautification and the spectacle of dominant ideologies.”
The western classical musical canon, much like the perpetual coming of the fountain, flush the headphone space with stimuli. Reflex and memory guides the listener through a semiotic architecture of processed recordings of masses in Catholic churches and contemporary performances of pre-medieval music. A liquidity of structure has an anxious influence and is a closed system approach to form and imagination. When water flows, it fills every space, then spills over to claim more. History is equally abundant and alive. We have never had as much history as we have now. We have never been able to see ourselves as we can now.
A knowledge of a grander architecture of knowing and recalling oppress the ecologies of human decision-making.The nature of the archive has transformed into a total and panoptic intelligence. A life is a gamble as the inventory of the world overflows into the production of a spectral third, an other, a confrontation. Fountain of Meaning offers a dynamic tension and release. A molecular tragedy, our abject recovery into a collaborative reimagining of a trauma long forgotten.
What can be gleaned from this overflow?
released December 8, 2017
Mastered by Rashad Becker at D&M
Artwork by Niels Wehrspann